Originals · prints · embellished
Three ways to own a piece.
Every image starts as one hand-cut original. Most live on as signed, numbered giclée prints, and a few get collaged over again by hand. Here's what each one is, how it's finished, and what it costs.
Sunny DaysSee the piece →
50 Shades of Blue - PacificSee the piece →
Orange You GladSee the piece →
EclipseSee the piece →
Wild Blue YonderSee the piece →
Bahama MamaSee the piece →
Catch Me if You CanSee the piece →
The three ways to own a piece
1 · One of one
The original
The piece itself — painted background, hundreds of hand-cut and torn papers, glued down layer by layer in the studio. There is exactly one.
Sold by conversation, not a cart. Write to Jennifer and she'll reply personally about the piece, the wall and shipping.
- Price
- $665 – $4,250
2 · Edition of 125
The signed giclée print
A fine-art print of the original, made on an archival inkjet press in Sarasota, then signed and numbered by Jennifer. One hundred and twenty-five per image, ever.
Bought online. Framed — a linen liner plus your choice of white-wash, grey or silver moulding, finished with a raised, textured varnish so it hangs without glass — or as gallery-wrapped canvas. Three sizes each.
- Price
- $215 – $1,185
3 · Somewhere in between
The hand-embellished print
A signed print that Jennifer has collaged over by hand — real paper, real glue, on top of the printed image — so no two are quite the same.
Mostly sold in person at the shows, where you can see the texture. Ask what's available for the piece you love.
- Price
- Ask — priced per piece
Coming in a later phase: open-edition prints made to order and shipped straight to your door. Not available yet — the signed edition of 125 is the print for now. Hear about it first →
The word
So what is a giclée?
Say “zhee-CLAY”. It's the fine-art word for a print made on a high-resolution inkjet press with archival pigment inks on archival paper or canvas — the standard museums and galleries use for reproductions. The colour is faithful, the detail is sharp, and the inks are rated to last decades without fading.
- Printed in Sarasota — from Jennifer's own high-resolution scans of the original, colour-matched by eye.
- Signed and numbered — by hand, one of 125 per image. When they're gone, they're gone.
- Finished, not just printed — a raised, textured varnish keeps the layered feel of the paper — which is why there's no glass and no glare.
- Ready to hang — framed with a linen liner and your choice of moulding, or gallery-wrapped canvas. Insured shipping is included.
The same print two ways: framed with a liner and white-wash moulding, or gallery-wrapped canvas.
Why it reads in person
The original casts shadows. The print keeps the feel.
On the original, every cut edge stands off the surface and catches real light. A giclée is flat by nature — so Jennifer finishes each one with a raised varnish that gives the surface back its texture. An embellished print goes one step further: she collages real paper back on top, by hand.
See how a piece is made →
Still unsure which is right?
Tell Jennifer about the wall.
A quick photo of your space and a rough budget is all she needs to point you at the right piece, the right size and the right finish.