Signed & numbered giclée editions

Jennifer Peck Fine Art
Ode to Audubon - Roseate Spoonbill — layered paper collage by Jennifer Peck

Framed in white wash with a 1½ in liner — 44 × 32 in overall.

Ode to Audubon - Roseate Spoonbill

Hand-cut and torn paper, paint, and leaf · Birds

Each print carries the layered feel of the original — signed and numbered by Jennifer, printed in Sarasota. Framed with a linen liner and your choice of moulding, ready to hang the day it arrives, or as canvas alone.

Moulding

Framed size 44 × 32 in · 1½ in liner · 2½ in moulding

Size & price
  • Signed & numbered · edition of 125
  • Fully insured shipping, included
  • Printed & framed in Sarasota
  • Ready to hang — no glass needed

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Questions about sizing or the wall? Send Jennifer a note.

The story

Living in Galveston, Texas I became interested in learning about the shorebirds there by accident. That area is right under a byway for many migratory birds, so birding in that area is taken very seriously. The enthusiasts visiting for that reason rubbed off on me! We also visited the Audubon Museum in Key West, and I was fascinated with his life sized watercolors compiled in his famous book, The Birds of America (1827). I have a small portfolio of these prints in my own collection. I wanted to pay homage to him and recreate these in my unique way, in paper! The pieces in this series are largely the same composition and colors as the originals by Audubon. His writings give great detail about his discoveries on each bird, their habitat, eating, breeding, and migratory habits. Any combination of the five pieces in this series makes an interesting suite for any coastal bird lover!

“Although rather abundant on some parts of the coast of Florida, I found it more so along the Bay of Mexico, particularly in Galveston Bay in the Texas, where, as well as on the Florida Keys, it breeds in flocks. The Spoonbills are so sensible of cold, that those which spend the winter on the Keys, near Cape Sable in Florida, rarely leave those parts for the neighborhood of St. Augustine before the first days of March.” John James Audubon

Three ways to own this piece

What's a giclée? →
  1. One of one

    The original. Ask Jennifer whether the original is still available.

  2. Edition of 125

    The signed giclée print— what's in the bag above. A fine-art archival print of the original, signed and numbered by Jennifer, finished with a raised varnish so it hangs without glass. Framed or canvas.

  3. In between

    A hand-embellished print — a signed print Jennifer collages over again by hand, so no two are the same. Mostly at the shows. Ask what's available →

  • Signed by Jennifer
  • Ready to hang — no glass needed
  • From the studio in Sarasota

Part of a set

Better with its companions.

Shown with the other pieces it was made alongside. Ask about hanging them together →

More from Birds →