
44 × 32 in framed — white wash moulding with a 1½ in textured liner.
Ode to Audubon - Roseate Spoonbill
Hand-cut and torn paper, paint, and leaf · Birds of a Feather
From across the room it reads as one picture. Up close it comes apart into hundreds of pieces of cut and torn paper.
Signed giclée prints
Edition of 125 · what's a giclée?Every print is made to order — printed in Sarasota, lacquered, framed and signed by Jennifer. Allow 3–4 weeks, depending on the season.
Questions about sizing or the wall? Send Jennifer a note.
The story
Living in Galveston, Texas I became interested in learning about the shorebirds there by accident. That area is right under a byway for many migratory birds, so birding in that area is taken very seriously. The enthusiasts visiting for that reason rubbed off on me! We also visited the Audubon Museum in Key West, and I was fascinated with his life sized watercolors compiled in his famous book, The Birds of America (1827). I have a small portfolio of these prints in my own collection. I wanted to pay homage to him and recreate these in my unique way, in paper! The pieces in this series are largely the same composition and colors as the originals by Audubon. His writings give great detail about his discoveries on each bird, their habitat, eating, breeding, and migratory habits. Any combination of the five pieces in this series makes an interesting suite for any coastal bird lover!
“Although rather abundant on some parts of the coast of Florida, I found it more so along the Bay of Mexico, particularly in Galveston Bay in the Texas, where, as well as on the Florida Keys, it breeds in flocks. The Spoonbills are so sensible of cold, that those which spend the winter on the Keys, near Cape Sable in Florida, rarely leave those parts for the neighborhood of St. Augustine before the first days of March.” John James Audubon
Three ways to own this piece
What's a giclée? →- One of one
The original. Ask Jennifer whether the original is still available.
- Edition of 125
The signed giclée print— what's in the cart above. A fine-art archival print of the original, signed and numbered by Jennifer, finished with a raised varnish so it hangs without glass. Framed or canvas.
- In between
A hand-embellished print — a signed print Jennifer collages over again by hand, so no two are the same. Mostly at the shows. Ask what's available →
- Signed by Jennifer
- Ready to hang — no glass needed
- From the studio in Sarasota
Part of a set
Better with its companions.
Shown with the other pieces it was made alongside. Ask about hanging them together →
Still deciding
It is almost always the size, not the piece.
Send Jennifer the width of the wall and she will tell you which size sits right on it — she talks people through this every weekend at the booth.
Ask about Ode to Audubon - Roseate Spoonbill