
32 × 44 in framed — white wash moulding with a 1½ in textured liner.
Ode to Audubon - Snowy Egret
Hand-cut and torn paper, paint, and leaf · Birds of a Feather
From across the room it reads as one picture. Up close it comes apart into hundreds of pieces of cut and torn paper.
Signed giclée prints
Edition of 125 · what's a giclée?Every print is made to order — printed in Sarasota, lacquered, framed and signed by Jennifer. Allow 3–4 weeks, depending on the season.
Questions about sizing or the wall? Send Jennifer a note.
The story
Living in Galveston, Texas I became interested in learning about the shorebirds there by accident. That area is right under a byway for many migratory birds, so birding in that area is taken very seriously. The enthusiasts visiting for that reason rubbed off on me! We also visited the Audubon Museum in Key West, and I was fascinated with his life sized watercolors compiled in his famous book, The Birds of America (1827). I have a small portfolio of these prints in my own collection. I wanted to pay homage to him and recreate these in my unique way, in paper! The pieces in this series are largely the same composition and colors as the originals by Audubon. His writings give great detail about his discoveries on each bird, their habitat, eating, breeding, and migratory habits. Any combination of the five pieces in this series makes an interesting suite for any coastal bird lover!
“Their flight is light, undetermined as it were, yet well sustained, and performed by regular flappings, as in other birds of the tribe. When they have arrived at their destination, they often go to considerable distances to feed during the day, regularly returning at the approach of night to their roosts on the low trees and bushes bordering the marshes, swamps, and ponds. They are very gentle at this season, and at all periods keep in flocks when not disturbed. At the approach of the breeding season, many spend a great part of the day at their roosting places, perched on the low trees principally growing in the water, when every now and then they utter a rough guttural sort of sigh, raising at the same moment their beautiful crest and loose recurved plumes, curving the neck, and rising on their legs to their frill height, as if about to strut on the branches.” John James Audubon
Three ways to own this piece
What's a giclée? →- One of one
The original. Ask Jennifer whether the original is still available.
- Edition of 125
The signed giclée print— what's in the cart above. A fine-art archival print of the original, signed and numbered by Jennifer, finished with a raised varnish so it hangs without glass. Framed or canvas.
- In between
A hand-embellished print — a signed print Jennifer collages over again by hand, so no two are the same. Mostly at the shows. Ask what's available →
- Signed by Jennifer
- Ready to hang — no glass needed
- From the studio in Sarasota
Part of a set
Better with its companions.
Shown with the other pieces it was made alongside. Ask about hanging them together →
Still deciding
It is almost always the size, not the piece.
Send Jennifer the width of the wall and she will tell you which size sits right on it — she talks people through this every weekend at the booth.
Ask about Ode to Audubon - Snowy Egret